Resurrection - Vallée de la Papenoo - Tahiti Dear friends, As the year comes to a close, I'd like to present two series of landscape...

I wanted to share this little spread in this month's Maison & Jardin Magazine. It's a short reflection on my meandering journey. It gave...

Welcome to this selection of recent paintings now on display at the beautiful RELAIS 12bis - Paris In ‘Bad Copies’, I look back to the...

The Hunger for Intimacy - 47 x 62 cm - acrylic on paper 2020 was a year of contractions and expansions of our liberties. Wearing masks...

What is happening at the moment is undeniably a great tragedy. We are also uniquely given a pause. An opportunity. When confinement is...

Ressentir le regard : rencontre avec Garth Bowden - by Alexis Consigny for Coupe-File Art magazine

An upside down world of inverted values, of real fakes and fake facts. High and low coalescing in singular multi-images.

The Negotiators 82 x 122 cm acrylic on board This series of paintings is a jump into the fever pitch intensity of cartoons. It is...

In July, I found myself exhibiting again in Tahiti. TikiMiki was the result of my fascination with this incredible place, and the...

Memento Mori is my new collection of light sculptures exploring the coded languages hidden within pattern.

Eclectomania is a cadavre exquis of influences, a nostalgia for a past I never had.

Beyond Tahiti, this series explores the more global issues of overconsumption, waste and landfill, the influence of global popular culture

Does the past exist complete, discrete and done with? Or does it continue to change in relation to the present ?

A dystopian world superseded by a “cartoon-esque” replica of itself; like a renegade Disney.